The walls are thin,
the murmurs are loud;

The town is falling, falling in flames–
shout a little louder, my love, perhaps light responds to sound.


In a town cocooned in darkness,
can light only bring malice?
can light only bring fear?

Have we drifted so far in
painting terror
with our own shades of black
that the only light that can no longer blind us
is the shade of light we choose to see?


Are all kids born with skin tags, I wonder?
With birthmarks, scars, patches of skin lighter than the rest?
Are some born with hair more frizzy, with teeth more white?
With strides more skipped, with stances ever slouched?

Because how else do we decide which child gets to live,
and which child gets to live with the reality–
death amounting to
nothing more than
a casualty, a statistic,
a minor obstacle to a default picture’s
good intentions?

To a six-year-old
with missing front teeth
and a bullet lodged inside their cute little skull,
could our good intentions be any different
from the mirage of a man,
a god residing in a finger,
itching, itching,
not a moment’s hesitation
in letting divine judgment fly?

From the mirage of a man
who looked at the ‘please’ in their eyes and said:
“No. This is when you die;”

“This is when you are handed a sentence,
wherein I would never let my own child utter a phrase;”

“This is when you are robbed of an existence
the chosen ones bathe in freely without a blink of an eye;”

“This is when mass morality goes out the window,

for there is no greater darkness
than the shadow behind the camera.”

“So, child–

Run like your life depends on it.

Run like your family’s lives depend on it.

Run like your culture,
your religion, your autonomy,
the freedom you were born with,
depend on it.

Run, child.

For even if you do,
the bullet does not discriminate;

it chooses not, whether to enter from the front or the back.

Run, child.

For there is no greater darkness
than the shadow behind the camera.




The problem is not that the people at the top are sleeping with the enemy.

The problem is that we made love to ideals over our own people; long enough, emphatically enough, to see each other turn into enemies.

The problem is that we began to see guns as salvation, and peace as a traitor’s wasted efforts.

The problem is that we look at a body count, numbers on a screen trickling up as blood trickles down, and see the steps of a ladder leading to a future we can’t even sketch on paper.

The problem is that our identity has become a problem instead of a solution,
and solutions have dwindled into a tug-of-war between the black and the white.

Red. Blue. Yellow.

The problem is that we can no longer see beyond the colors we have painted our tongues with,

multicolored saliva dripping onto a canvas of


so convoluted,

we can no longer tell which side is up.

Red. Blue. Yellow.

The problem is that colors ceased to be for beauty; today, they have grown to become weaponry.


Blue, and red, and yellow.
In the dark, can you tell which is which?

Blue, and red, and yellow.
In the light, do we not stand under the shadow of a single woven flag?


Blue, and red, and yellow.
Do we stand together, or do we not stand at all?

– “Brown”



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